| Beamforming-based Binaural Reproduction by Matching of Binaural Signals | Madmoni, L.; Donley, J.; Tourbabin, V. | 2020/08 | AES | Binaural, Beamforming, Ambisonics | |
| Tesseral Array for Group Based Spatial Audio Capture and Synthesis | Tanabe, Y.; Yamauchi, G.; Atsushi, M. | 2020/08 | AES | Spatial Audio, Transducers | |
| Beamforming-based Binaural Reproduction by Matching of Binaural Signals | Madmoni, L.; Donley, J.; Tourbabin, V. | 2020/08 | AES | Binaural, Beamforming, Ambisonics | |
| Quantifying HRTF Spectral Magnitude Precision in Spatial Computing Applications | Crawford, S.; Audfray, R.; Jot, J. | 2020/08 | AES | HRTF, Spatial Audio | |
| Listener-Preferred Headphone Frequency Response for Stereo and Spatial Audio Content | Engel, I.; Alon, D.; Scheumann, K. | 2020/08 | AES | Transducers, Spatial Audio, Two-Way Stereophony | |
| Binaural Reproduction using Bilateral Ambisonics | Ben-Hur, Z.; Alon, D.; Mehra, R. | 2020/08 | AES | Binaural, Ambisonics, HRTF | |
| Enhancement of Ambisonics Signals using time-frequency masking | Lugasi, M.; Rafaely, B. | 2020/08 | AES | Ambisonics | |
| Localization of Virtual Sounds in Dynamic Listening Using Sparse HRTFs | Ben-Hur, Z.; Alon, D..; Robinson, P. | 2020/08 | AES | HRTF | |
| Realistic Auditory Artificial Intelligence: Spatial Sound Modelling to provide NPCs with Sound Perception | Cowan, B.; Kapralos, B.; Collins, KC. | 2020/08 | AES | Spatial Audio, Audio Signal Processing | |
| Speed of sound from fundamental physical constants | Trachenko, K; Monserrat, B.; Pickard, C. J. | 2020/08 | AAAS | Physics | |
| Optimized binaural rendering of Next Generation Audio using virtual loudspeaker setups | Lau, F.; Meier, M. | 2020/05 | AES | Spatial Audio | |
| Deep Diffusorbers: Real World Application & Scalability of Amplitude Grating Diffusers Covering Ultra-Wideband Absorbers in Small to Medium Sized Venues | Ebenlechner, G. | 2020/05 | AES | Acoustics | |
| Emily's World: behind the scenes of a binaural synthesis production | Poirier-Quinot, D.; Hardoin, L.; Katz, B. | 2020/05 | AES | Spatial Audio, Ambisonics, Applications | |
| A Mixed-Methods Evaluation of Preferences Between Binaural and Stereo Broadcast Audio with Experienced and Inexperienced Listeners | Foster, A.; Pike, C.; Francombe, J. | 2020/05 | AES | Listening Tests, Binaural, Two-Way Stereophony | |
| Metamaterial Absorber for Loudspeaker Enclosures | Degraeve, S.; Oclee-Brown, J. | 2020/05 | AES | Transducers, Acoustics | |
| Shelving Filter Cascade with Adjustable Transition Slope and Bandwidth | Schutz, F.; Hahn, N.; Spors, S. | 2020/05 | AES | Signal Processing | |
| The effect of hand position on handheld microphones' frequency response and directivity | Brixen, E. B. | 2020/05 | AES | Transducers | |
| A personal, 3D printable compact spherical loudspeaker array | Drack, V.; Zotter, F.; Barrett, N. | 2020/05 | AES | Transducers, Spatial Audio | |
| Trans-Europe Express Audio: testing 1000 mile low-latency uncompressed audio between Edinburgh and Berlin using GPS-derived word clock, first with jacktrip then with Dante. | Ferguson, P.; Chafe, C.; Gapp, S. | 2020/05 | AES | Applications, Broadcast | |
| Power-based thermal limits for micro-speaker protection algorithms | Salvador, C.; Peng, C.; Shi, Y. | 2020/05 | AES | Transducers, Signal Processing | |
| Real-time auralization while having prepared in advance for possible head movements | Tamulionis, M. | 2020/05 | AES | Spatial Audio, HRTF, Signal Processing | |
| Recording first-order Ambisonics with a differential array of two dual-diaphragm microphones | Deppisch, T.; Frank, C. | 2020/05 | AES | Spatial Audio, Ambisonics, Transducers | |
| HOAST: A Higher-Order Ambisonics Streaming Platform | Deppisch, T.; Meyer-Kahlen, N.; Hofer, B. | 2020/05 | AES | Applications, Ambisonics, Binaural | |
| Directional dependency of subjective sound pressure perception on three-dimensional sound | Nakai, A.; Tsuji, M.; Chinen, T. | 2020/05 | AES | Spatial Audio, Applications | |
| MEMS based Audio Speaker Module | Rusconi Clerici, A.; Hänsler, M.; Muraro, G. | 2020/05 | AES | Transducers | |
| A Python library for Multichannel Acoustic Signal Processing | Perez-Lopez, A.; Politis, A. | 2020/05 | AES | Signal Processing | |
| pysofaconventions, a Python API for SOFA | Perez-Lopez, A. | 2020/05 | AES | Spatial Audio, Signal Processing | |
| Real-Time Sound Synthesis of Audience Applause | Lee, J. R. R.; Reiss, J. D. | 2020/05 | AES | Applications, Signal Processing | |
| Assessing the Impact of Head-Related Transfer Function Individualization on Task Performance: Case of a Virtual Reality Shooter Game | Poirier-Quinot, D.; Katz, B. F.G. | 2020/05 | AES | Listening Tests, HRTF | |
| Analysis and Utilization of Reverse Mode Loudspeakers | Kalmár G. | 2020/04 | IEEE Access | Transducers, Applications, Acoustics | |
| Performance of Linear Extrapolation Methods for Virtual Sound Field Navigation | Tylka, J. G.; Choueiri, E. Y. | 2020/03 | AES | Applications, Ambisonics | |
| Fundamentals of a Parametric Method for Virtual Navigation Within an Array of Ambisonics Microphones | Tylka, J. G.; Choueiri, E. Y. | 2020/03 | AES | Ambisonics | |
| Ambisonics | Zotter, F.; Frank, M. | 2019 | Springer | Ambisonics | |
| Introducing phonetic information to speaker embedding for speaker verification | Liu, Y.; He L.; Liu, J.; Johnson, M. | 2019/12 | EURASIP Journal on Audio, Speech, and Music Processing | Neural Networks | |
| Preferred Levels for Background Ducking to Produce Esthetically Pleasing Audio for TV with Clear Speech | Torcoli, M.; Freke-Morin, A.; Paulus, J.; Simon, C. | 2019/12 | JAES Volume 67 | Broadcast | |
| Anti-Forensics of Audio Source Identification Using Generative Adversarial Network | Li, X.; Yan, D.; Dong, L. | 2019/12 | IEEE Access | Forensics, Semantic Analysis & Deep Learning | |
| Audio Hotspot Attack: An Attack on Voice Assistance Systems Using Directional Sound Beams and its Feasibility | Iijima, R.; Minami, S.; Zhou, Y. | 2019/11 | IEEE Transactions on Emerging Topics in Computing | Beamforming | |
| Domains of Practical Applicability for Parametric Interpolation Methods for Virtual Sound Field Navigation | Tylka, J.; Choueiri, E. | 2019/11 | JAES Volume 67 | Spatial Audio | |
| Underdetermined Source Separation Based on Generalized Multichannel Variational Autoencoder | Seki, S.; Kameoka, H.; Li, L. | 2019/11 | IEEE Access | Audio Signal Processing, Neural Networks | |
Applications of Spatially Localized Active-Intensity Vectors for Sound-Field visualization
| McCormack, L.; Delikaris-Manias, S.; Politis, A. | 2019/11 | JAES Volume 67 | Spatial Audio | |
| Stethoscope with digital frequency translation for improved audibility | Aumann, H. M.; Emanetoglu, N. W. | 2019/11 | Healthcare Technology Letters | Audio Signal Processing, Hearing & Hearing Loss Prevention | |
| Multimodal Voice Conversion Under Adverse Environment Using a Deep Convolutional Neural Network | Zhou, J.; Hu, Y.; Lian, H. | 2019/11 | IEEE Access | Audio Signal Processing, Semantic Audio, Neural Networks | |
| A Wearable, Extensible, Open-Source Platform for Hearing Healthcare Research | Pisha, L.; Warchall, J.; Zubatiy, T. | 2019/11 | IEEE Access | Hearing & Hearing Loss Prevention, Archiving, Restoration & Digital Libraries | |
| Spatial Perception of Sound Source Distribution in the Median Plane | Pulkki, V.; Pöntynen, H.; Santala, O. | 2019/11 | AES | Spatial Audio | |
| Directional Feedback Delay Network | Alary, B.; Politis, A.; Schlecht, S. | 2019/10 | JAES Volume 67 | Audio Signal Processing, Acoustics, Spatial Audio | |
| A Robust Target Linearly Constrained Minimum Variance Beamformer With Spatial Cues Preservation for Binaural Hearing Aids | As'ad, H.; Bouchard, M.; Kamkar-Parsi, H. | 2019/10 | IEEE | Beamforming | |
| Accurate Reproduction of Binaural Recordings through Individual Headphone Equalization and Time Domain Crosstalk Cancellation | Griesinger, D. | 2019/10 | AES | Binaural | |
| A Mean Quantization Watermarking Scheme for Audio Signals Using Singular-Value Decomposition | Bhat, K. V., Das, A. K.; Lee, J. | 2019/10 | IEEE Access | Audio Signal Processing | |
| Defining Immersion: Literature Review and Implications for Research on immersive Audiovisual Experiences | Agrawal, S.; Simon, A.; Bech, S. | 2019/10 | AES | Immersion | |
| Comparing Externalization Between the Neumann KU100 Versus Low Cost DIY Binaural Dummy Head | DiPasquale, K. J.; | 2019/10 | AES | Spatial Audio | |
| Designing Listening Tests of SR/PA Systems, A Case Study | Brixen, E. B. | 2019/10 | AES | Listening Tests, Transducers | |
| Noise and Distortion Mechanisms Encountered in Switching Audio Power Amplifier Design | Muniz, R. | 2019/10 | AES | Transducers | |
| Smartphones Identification Through the Built-In Microphones With Convolutional Neural Network | Baldini, G.; Amerini, I. | 2019/10 | IEEE Access | Transducers, Semantic Analysis & Deep Learning, Neural Networks | |
| Coherence as an Indicator of Distortion for Wide-Band Audio Signals such as M-Noise and Music | van Veen, M.; Schwenke, R. | 2019/10 | AES | Audio Signal Processing | |
| Modifying Audio Signals for Reproduction with Reduced Room Effect | Faller, C. | 2019/10 | AES | Audio Signal Processing | |
| Design and Testing of a Real-Time Audio-Quality Feedback System for Weather Broadcasts and a Framework for a Weather Broadcast Transmission Technology Switch | Mishra, A.; Bagui, S.; Compo, J. | 2019/10 | IEEE Access | Forensics | |
| Shape Control of Discrete Generalized Gaussian Distributions for Frequency-Domain Audio Coding | Sugiura, R.; Kamamoto, Y.; Moriya, T. | 2019/10 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Audio Signal Processing | |
| Optimum Measurement Locations for Large-Scale Loudspeaker System Tuning Based on First-Order Reflections Analysis | Moulin, S.; Corteel, E.; Montignies, F. | 2019/10 | AES | Acoustics | |
| An Open Audio Processing Platform Using SoC FPGAs and Model-Based Development | Vannoy, T.; Davis, T.; Dack, C. | 2019/10 | AES | Audio Signal Processing | |
| An Attempt to Elicit Horizontal and Vertical Auditory Precedence Percepts without Pinnae Cues | Bulla, W.; Mayo, P. | 2019/10 | AES | Perception | |
| Navigation Aids in Collaborative Virtual Environments: Comparison of 3DML, Audio, Textual, Arrows-Casting | Khalid, S.; Ullah, S.; Ali, N. | 2019/10 | IEEE Access | Virtual Reality | |
| Precise Temporal Localization of Sudden Onsets in Audio Signals Using the Wavelet Approach | Wan, Y.; Chen, Y.; Sim, K. Y. H. | 2019/10 | AES | Semantic Audio | |
| Production Processes of Pop Music Arrangers in Bamako, Mali | Pras, A.; Turner, K.; Bol, T. | 2019/10 | AES | Education | |
| Towards a Pedagogy of Multitrack Audio Resources for Sound Recording Education | McNally, K.; Thompson, P.; Scott, K. | 2019/10 | AES | Education | |
| Mental Representations in Critical Listening Education: A Preliminary Study | Elmosnino, S. | 2019/10 | AES | Education | |
| Semi-Supervised Multichannel Speech Enhancement With a Deep Speech Prior | Sekiguchi, K.; Bando, Y.; Nugraha, A. A. | 2019/10 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Semantic Analysis & Deep Learning | |
| Audio Effect Units in Mobile Devices for Electric Musical Instruments | Yao, S. | 2019/10 | IEEE Access | Instruments | |
| Generalized Metrics for Constant Directivity | Sridhar, R.; Tylka, J. G.; Choueiri, E. Y. | 2019/09 | JAES Volume 67 | Transducers | |
| The Adaptive Multi-Level Phase Coding Method in Audio Steganography | Alsabhany, A. A.; Ridzuan, F.; Azni, A. H. | 2019/09 | IEEE Access | Audio Signal Processing | |
| A System Architecture for Semantically Informed Rendering of Object-Based Audio | Franck, A.; Francombe, J.; Woodcock, J. | 2019/08 | JAES Volume 67 | Semantic Audio, Spatial Audio | |
| Multichannel Compensated Amplitude Panning, An Adaptive Object-Based Reproduction Method | Menzies, D.; Fazi, F. M. | 2019/08 | JAES Volume 67 | Perception, Spatial Audio, | |
| Influence of Visual Stimuli on Perceptual Attributes of Spatial Audio | Woodcock, J.; Davies, W. J.; Cox, T. J. | 2019/08 | JAES Volume 67 | Spatial Audio | |
| Neurally Controlled Graphic Equalizer | Välimäki, V.; Rämö, J. | 2019/08 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Neural Networks | |
| Personalization in Object-based Audio for Accessibility: A Review of Advancements for Hearing Impaired Listeners | Ward, L. A.; Shirley, B. G. | 2019/08 | JAES Volume 67 | Hearing & Hearing Loss Prevention | |
| Quality of Experience Tests of an Object-based Radio Reproduction App on a Mobile Device | Silzle, A.; Schmidt, R.; Bleisteiner, W.; | 2019/08 | JAES Volume 67 | Listening Tests, Binaural | |
| A one-size-fits-all earpiece with multiple microphones and drivers for hearing device research | Denk, F.; Lettau, M.; Schepker, H.Bach, J.; Wellmann, J.; Kollmeier, B. | 2019/08 | AES ICHT | Hearing & Hearing Loss Prevention | |
| DNN-Based Cepstral Excitation Manipulation for Speech Enhancement | Elshamy, S.; Fingscheidt, T. | 2019/08 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Semantic Analysis, Audio Signal Processing | |
| Three-Dimensional Sound Field Reproduction Based on Weighted Mode-Matching Method | Ueno, N.; Koyama, S.; Saruwatari, H. | 2019/08 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Spatial Audio | |
| Source Separation for Enabling Dialogue Enhancement in Object-based Broadcast with MPEG-H | Paulus, J.; Torcoli, M.; Uhle, C. | 2019/08 | JAES Volume 67 | Broadcast, Listening Tests | |
| User-guided Rendering of Audio Objects Using an Interactive Genetic Algorithm | Wilson, A.; Fazenda, B. M. | 2019/08 | JAES Volume 67 | Broadcast, Listening Tests | |
| Independent Deeply Learned Matrix Analysis for Determined Audio Source Separation | Makishima, N.; Mogami, S.; Takamune, N. | 2019/07 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Audio Signal Processing, Semantic Analysis & Deep Learning | |
| Toward Robust Audio Spoofing Detection: A Detailed Comparison of Traditional and Learned Features | Balamurali, B. T.; Lin, K. E.; Lui, S. | 2019/07 | IEEE Access | Semantic Analysis & Deep Learning, Audio Signal Processing | |
| DEEP-HEAR: A Multimodal Subtitle Positioning System Dedicated to Deaf and Hearing-Impaired People | Tapu, R.; Mocanu, B.; Zaharia, T. | 2019/07 | IEEE Access | Hearing & Hearing Loss Prevention, Neural Networks | |
| Exploring convolutional, recurrent, and hybrid deep neural networks for speech and music detection in a large audio dataset | de Benito-Gorron, D.; Lozano-Diez, A.; Toledano, D. | 2019/06 | EURASIP Journal on Audio, Speech, and Music Processing | Neural Networks | |
| Efficient Representation of Head-Related Transfer Functions With Combination of Spherical Harmonics and Spherical Wavelets | Liu, H.; Fang, Y.; Huang, Q. | 2019/06 | IEEE | HRTF | |
| Feedback Control in an Actuated Acoustic Guitar using Frequency Shifting | Thuillier, E.; Lähdeoja, O.; Välimäki, V. | 2019/06 | JAES Volume 67 | Instruments | |
| Oversampling for Nonlinear Waveshaping: Choosing the Right Filters | Kathles, J.; Esqueda, F.; Välimäki, V. | 2019/06 | JAES Volume 67 | Audio Signal Processing | |
| Deep Neural Network Based Forensic Automatic Speaker Recognition in VOCALISE using x-Vectors | Kelly, F.; Forth, O.; Kent, S. | 2019/06 | AES ICAF | Forensics | |
| A Hierarchical Approach for Audio Capture, Archive, and Distribution | Stuart, J. R.; Craven, P. G | 2019/05 | JAES Volume 67 | Archiving, Restoration & Digital Libraries | |
| Is High-Frequency Intermodulation Distortion a Significant Factor in High-Resolution Audio? | Stuart, J. R.; Hollinshead, R.; Capp, M. | 2019/05 | JAES Volume 67 | Transducers, Listening Tests | |
| High-Resolution Audio: A History and Perspective | Melchior, V. R. | 2019/05 | JAES Volume 67 | Archiving, Restoration & Digital Libraries | |
| Modern Sampling: A Tutorial | Angus, J. A. S. | 2019/05 | JAES Volume 67 | Audio Education | |
| The Gentle Art of Dithering | Stuart, J. R.; Craven, P. G | 2019/05 | JAES Volume 67 | Audio Education, Audio Signal Processing | |
| Chewing Monitoring With Bone-Conduction Microphone for Body Area Network | Li, Y.; Lu, W.; He, Y. | 2019/05 | IEEE Access | Audio Signal Processing | |
| Sub-Sync: Automatic Synchronization of Subtitles in the Broadcasting of True Live programs in Spanish | González-Carrasco, I.; Puente, L.; Ruiz-Mezcua, B. | 2019/05 | IEEE Access | Broadcast | |
| Deep CNNs With Self-Attention for Speaker Identification | Nguyen, N. A.; Ngyuen, Q. T.; Yanbing, L. | 2019/05 | IEEE Access | Semantic Analysis & Deep Learning, Neural Networks | |
| Automatic Detection of Cry Sounds in Neonatal Intensive Care Units by Using Deep Learning and Acoustic Scene Simulation | Severini, M.; Ferreti, D.; Principi, E. | 2019/04 | IEEE Access | Semantic Analysis & Deep Learning | |
| Auditory Scenography in Music Production: Case Study Mixing Classical Turkish Music in Higher Order Ambisonics | Karadogan, C.; Görne, T. | 2019/03 | AES | Ambisonics | |
| Web-Based Binaural Audio and Sonic Narratives for Cultural Heritage | Comunità, M.; Gerino, A.; Lim, V. | 2019/03 | AES | Binaural | |
| Acoustically Hard 2D Arrays for 3D HOA | Berge, S. | 2019/03 | AES | Ambisonics | |
| Efficient Encoding and Decoding of Binaural Sound with Resonance Audio | Gorzel, M.; Allen, A.; Kelly, I. | 2019/03 | AES | Binaural | |
| Loudness stability of binaural sound with spherical-harmonic representation of sparse head-related transfer functions | Ben-Hur, Z.; Alon, D.; Rafely, B. | 2019/03 | EURASIP Journal on Audio, Speech, and Music Processing | Binaural | |
| Ambisonic Decoding for Compensated Amplitude Panning | Menzies, D.; Maria Fazi, F. | 2019/03 | IEEE | Ambisonics | |
| Compression of Head-Related Transfer Function Based on Tucker and Tensor Train Decomposition | Wang, J.; Liu, M.; Xie, X. | 2019/03 | IEEE | HRTF | |
| Multitask Learning of Time-Frequency CNN for Sound Source Localization | Pang, C.; Liu, H.; Li, X. | 2019/03 | IEEE Access | Audio Signal Processing, HRTF, Neural Networks | |
| Augmented Audio with Behind-the-Head Listening Device | Puomio, O.; Gonzáles Diaz, R. | 2019/03 | AES | Binaural | |
| Background Ducking to Produce Esthetically Pleasing Audio for TV with Clear Speech | Torcoli, M.; Freke-Morin, A.; Paulus, J. | 2019/03 | AES | Listening Tests | |
| Turning the DAW Inside Out | Holbrow, C. | 2019/03 | AES | Production, Education | |
| Automatic Detection of Audio Problems for Quality Control in Digital Music Distribution | Alonso-Jiménez, P.; Joglar-Ongay, L.; Serra, X. | 2019/03 | AES | Audio Signal Processing, Production | |
| Key Benefits and Drawbacks of Surrounding Sound when Wearing Headphones or Hearing Protection | Kårekull, O.; Lic, T.; Johansson, M. | 2019/03 | AES | Hearing & Hearing Loss Prevention, Headphones | |
| SPARTA & COMPASS: Real-Time Implementations of Linear and Parametric Spatial Audio Reproduction and Processing Methods | McCormack, L.; Politis, A. | 2019/03 | AES ICIIA | Spatial Audio | |
| A deep learning method for Chinese singer identification | Shen, Z.; Yong, B.; Zhang, G. | 2019/03 | Tsinghua Science and Technology | Semantic Analysis & Deep Learning | |
| Statistical Parametric Speech Synthesis Using Deep Gaussian Processes | Koriyama, T.; Kobayashi, T. | 2019/03 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Semantic Analysis, Audio Signal Processing | |
| A multiple model high-resolution head-related impulse response database for aided and unaided ears | Thiemann, J.; van de Par, S. | 2019/02 | EURASIP Journal on Audio, Speech, and Music Processing | HRIR | |
| Capturing 360° Audio Using an Equal Segment Microphone Array (ESMA) | Lee, H. | 2019/01 | JAES Volume 67 | Spatial Audio | |
| Discriminative frequency filter banks learning with neural networks | Zhang, T.; Wu, J. | 2019/01 | EURASIP Journal on Audio, Speech, and Music Processing | Neural Networks | |
| Unsupervised Detection of Anomalous Sound Based on Deep Learning and the NeymanPearson Lemma | Koizumi, Y.; Saito, S.; Uematsu, H.; Kawachi, Y. | 2019/01 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Deep Learning, Audio Signal Processing | |
| Sinusoidal-Based Lowband Synthesis for Artificial Speech Bandwidth Extension | Abel, J.; Fingscheidt, T. | 2019/01 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Semantic Analysis, Audio Signal Processing | |
| Dual-Domain Audio Watermarking Algorithm Based on Flexible Segmentation and Adaptive Embedding | Luo, Y.; Peng, D.; Sang, Y. | 2019/01 | IEEE Access | Audio Signal Processing | |
| High-Performance Self-Synchronous Blind Audio Watermarking in a Unified FFT Framework | Hu, H.; Lee, T. | 2019/01 | IEEE Access | Audio Signal Processing | |
| Direction of Arrival Estimation for Reverberant Speech Based on Enhanced Decomposition of the Direct Sound | Madmoni, L.; Rafaely, B. | 2018/12 | IEEE Journal of Selected Topics in Signal Processing | Audio Signal Processing, Semantic Analysis | |
| Convolutional Neural Networks to Enhance Coded Speech | Zhao, Z.; Liu, H.; Fingscheidt, T. | 2018/12 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Neural Networks, Semantic Analysis & Deep Learning | |
| 3D Printed Acoustic Lens for Dispersing Sound | Berstis, V.; | 2018/12 | AES | Loudspeakers and Transducers | |
| Noise Covariance Matrix Estimation for Rotating Microphone Arrays | Moore, A. H.; Xue, W.; Naylor, P. A | 2018/11 | IEEE/ACM Transactions on Audio, Speech, and Language Processing | Audio Signal Processing, Transducers, Beamformer | |
| Modeling and Delay-Equalizing Loudspeaker Responses | Mäkivirta, A.; Liski, J.; Välimäki, V. | 2018/11 | AES | Loudspeakers | |
| Tunable Graphene-Polymer Resonators for Audio Frequency Sensing Applications | Al-mashaal, A. K.; Wood, G. S.; Torin, A. | 2018/10 | IEEE Sensors Journal | Transducers | |
| Streamlined 3D Sound Design: The Capture and Composition of a Sound Field | Woszczyk, W.; Geluso, P. | 2018/10 | AES | Spatial Audio | |
| Audio Application Programming Interface for Mixed Reality | Audfray, R.; Jot, J.-M.; Dicker, S. | 2018/10 | AES | Spatial Audio | |
| A Device for Measuring Auditory Brainstem Responses to Audio | Odya, P.; Czyzewski, A.; Sroczynski, A. | 2018/10 | AES | Hearing, Listening Tests | |
| Measuring and Evaluating Excess Noise in Resistors | LaMacchia, B.; Swanson, B. | 2018/10 | AES | Electronics | |
| Developing a Method for the Subjective Evaluation of Smartphone Music Playback | McMullin, E.; Suha, V.; Li, Y. | 2018/10 | AES | Transducers, Listening Tests | |
| The New Dynamics Processing Effect in Android Open Source Project | Garcia, R. | 2018/10 | AES | Signal Processing | |
| Numerical Optimization Strategies for Acoustic Elements in Loudspeaker Design | Bezzola, A. | 2018/10 | AES | Tranducers | |
| On the Efficiency of Flown vs. Ground Stacked Subwoofer Configurations | Corteel, E.; Coste Dombre, H.; Combet, C. | 2018/10 | AES | Transducers | |
| The Effect of Pinnae Cues on Lead-Signal Localization in Elevated, Lowered, and Diagonal Loudspeaker Configurations | Bulla, W.; Mayo, P. | 2018/10 | AES | Hearing, Perception | |
| Machine Learning Applied to Aspirated and Non-Aspirated Allophone ClassificationAn Approach Based on Audio Fingerprinting | Piotrowska, M.; Korvel, G.; Kurowski, A. | 2018/10 | AES | Machine Learning, Acoustics, Signal Processing | |
| Microphone Array Geometry for Two Dimensional Broadband Sound Field Recording | Liao, W.-H.; Mitsufuji, Y.; Osako, K. | 2018/10 | AES | Recording, Production | |
| Creating Real-Time Aeroacoustic Sound Effects Using Physically Informed Models | Selfridge, R.; Moffat, D.; Avital, E. J. | 2018/07 | AES | Acoustics | |
| The Frequency and Loudspeaker-Azimuth Dependencies of Vertical Interchannel Decorrelation on the Vertical Spread of an Auditory Image | Gribben, C.; Lee, H. | 2018/07 | AES | Spatial Audio, Hearing, Listening Tests | |
| Creating a Highly-Realistic "Acoustic Vessel Odyssey" Using Sound field Synthesis with 576 Loudspeakers | Mitsufuji, Y.; Tomura, A.; Ohkuri, K. | 2018/07 | AES | Spatial Audio, Sound Field Synthesis, Virtual Reality | |
| Comparison of Microphone Distances for Real-Time Reverberation Enhancement System Using Optimal Source Distribution Technique | Marui, A.; Yairi, M.; Kamekawa, T. | 2018/07 | AES | Spatial Audio, Reverberation | |
| Sound-Space Choreography | Erruz, G.; Schmele, T. | 2018/07 | AES | Spatial Audio | |
| Measurement, Recognition, and Visualization of Piano Pedaling Gestures and Techniques | Liang, B.; Fazekas, G.; Sandler, M. | 2018/06 | AES | Instruments, Machine Learning | |
| Qualitative Evaluation of Media Device Orchestration for Immersive Spatial Audio Reproduction | Francombe, J.; Woodcock, J.; Hughes, R. J. | 2018/06 | AES | Spatial Audio | |
| Listener Preference for Wave Field Synthesis, Stereophony, and Different Mixes in Popular Music | Wierstorf, H.; Hold, C.; Raake, A. | 2018/05 | AES | Wave Field Synthesis, Listening Tests | |
| DirPat–Database and Viewer of 2D/3D Directivity Patterns of Sound Sources and Receivers | Brandner, M.; Frank, M.; Rudrich, D. | 2018/05 | AES | Signal Processing, Transducers, Instruments | |
| An Efficient Method for Producing Binaural Mixes of Classical Music from a Primary Stereo Mix | Parnell, T.; Pike, C. | 2018/05 | AES | Spatial Audio | |
| The Anaglyph Binaural Audio Engine | Poirier-Quinot, D.; Katz, B. F. G. | 2018/05 | AES | Spatial Audio | |
| Directivity and Electro-Acoustic Measurements of the IKO | Schultz, F.; Zaunschirm, M.; Zotter, F. | 2018/05 | AES | Transducers | |
| Design and Measurement of First-Order, Horizontally Beam-Controlling Loudspeaker Cubes | Meyer-Kahlen, N.; Zotter, F; Pollack, K. | 2018/05 | AES | Transducers, Psychoacoustics | |
| Ambisonics Directional Room Impulse Response as a New Convention of the Spatially Oriented Format for Acoustics | Pérez-López, A.; De Muynke, J. | 2018/05 | AES | Transducers, Psychoacoustics, Ambisonics | |
| A Distributed Audio System for Automotive Applications | Boehm, J.; Olszewski, D.; Mirza, Z. B. | 2018/05 | AES | Transducers, Automotive | |
| Anti-Rattle System Loudspeaker Device | Cinanni, D.; Sancisi, C. | 2018/05 | AES | Transducers | |
| Advanced B-Format Analysis | Kolundzija, M.; Faller, C. | 2018/05 | AES | Spatial Audio | |
| Ambisonic Decoding with Panning-Invariant Loudness on Small Layouts (AllRAD2) | Zotter, F.; Frank, M. | 2018/05 | AES | Spatial Audio, Ambisonics | |
| BRIR Synthesis Using First-Order Microphone Arrays | Zaunschirm, M.; Frank, M.; Zotter, F. | 2018/05 | AES | Spatial Audio | |
| Does Spectral Flatness Affect the Difficulty of the Peak Frequency Identification Task in Technical Ear Training? | Marui, A.; Kamekawa, T. | 2018/05 | AES | Education | |
| Evaluation of Player-Controlled Flute Timbre by Flute Players and Non-Flute Players | Kasahara, M.; Marui, A.; Kamekawa, T. | 2018/05 | AES | Listening Tests, Instruments, Perception | |
| Comparing the Effect of Audio Coding Artifacts on Objective Quality Measures and on Subjective Ratings | Torcoli, M.; Dick, S. | 2018/05 | AES | Perception | |
| Surround with Depth on First-Order Beam-Controlling Loudspeakers | Deppisch, T.; Meyer-Kahlen, N.; Zotter, F. | 2018/05 | AES | Spatial Audio, Transducers | |
| A Subjective Evaluation of High Bitrate Coding of Music | Grivcova, K.; Pike, C.; Nixon, T. | 2018/05 | AES | Audio Coding, Quality | |
| Speech-To-Screen: Spatial Separation of Dialogue from Noise towards Improved Speech Intelligibility for the Small Screen | Demonte, P.; Tang, Y.; Hughes, R. J. | 2018/05 | AES | Perception | |
| Assessing Musical Similarity for Computational Music Creativity | Goddard, C.; Barthet, M.; Wiggins, G. | 2018/04 | AES | Semantic Analysis, Perception | |
| PaperClip: A Digital Pen Interface for Semantic Speech Editing in Radio Production | Baume, C.; Plumbley, M. D.; Frohlich, D. | 2018/04 | AES | Semantic Analysis | |
| Determination and Validation of Mix Parameters for Modifying Envelopment in Object-Based Audio | Francombe, J.; Brookes, T.; Mason, R. | 2018/03 | AES | Spatial Audio | |
| Elicitation of Expert Knowledge to Inform Object-Based Audio Rendering to Different Systems | Woodcock, J.; Davies, W. J.; Melchior, F. | 2018/02 | AES | Spatial Audio | |
| Localization Experiments with Reporting by Head Orientation: Statistical Framework and Case Study | Sena, E. D.; Brookes, M.; Naylor, P. A.; Waterschoot, T. v. | 2017/12 | AES | Listening Tests | |
| A High Resolution and Full-Spherical Head-Related Transfer Function Database for Different Head-Above-Torso Orientations | Brinkmann, F.; Lindau, A.; Weinzierl, S.; | 2017/10 | AES | HRTF, Database | |
| A Database of Head-Related Transfer Functions and Morphological Measurements | Sridhar, R.; Tylka, J. G.; Choueiri, E. | 2017/10 | AES | HRTF, Database | |
| Building a Globally Distributed Recording Studio | Fiorello, J. | 2017/10 | AES | Recording, Broadcasting | |
| Undergraduate Curricular Development at the Electrical Engineering/Music Interface at Union College | Catravas, P. | 2017/10 | AES | Education, Applications | |
| The Resonant Tuning Factor: A New Measure for Quantifying the Setup and Tuning of Cylindrical Drums | Toulson, R. | 2017/10 | AES | Instruments, Transducers | |
| Audio Localization Method for VR Application | Park, J. W. | 2017/10 | AES | Spatial Audio | |
| A Toolkit for Customizing the ambiX Ambisonics-to-Binaural Renderer | Tylka, J. G.; Choueiri, E. | 2017/10 | AES | Spatial Audio, Ambisonics | |
| Use of Repetitive Multi-Tone Sequences to Estimate Nonlinear Response of a Loudspeaker to Music | Brunet, P.; Decanio, W.; Banka, R.; Yuan, S. | 2017/10 | AES | Transducers | |
| Variable Fractional Order Analysis of Loudspeaker Transducers: Theory, Simulations, Measurements, and Synthesis | Bezzola, A.; Brunet, P.; Yuan, S. | 2017/10 | AES | Transducers | |
| The Adjustment / Satisfaction Test (A/ST) for the Subjective Evaluation of Dialogue Enhancement | Torcoli, M.; Herre, J.; Paulus, J. | 2017/10 | AES | Perception | |
| Improving Neural Net Auto Encoders for Music Synthesis | Colonel, J.; Curro, C.; Keene, S. | 2017/10 | AES | Signal Processing | |
| A Study of Listener Bass and Loudness Preferences over Loudspeakers and Headphones | McMullin, E. | 2017/10 | AES | Listening Tests, Transducers | |
| Efficient Structures for Virtual Immersive Audio Processing | Jot, J.; Noh, D. | 2017/10 | AES | Spatial Audio | |
| Apparent Sound Source De-Elevation Using Digital Filters Based on Human Sound Localization | Celestinos, A.; McMullin, E.; Banka, R. | 2017/10 | AES | Spatial Audio | |
| A Headphone Measurement System Covers both Audible Frequency and beyond 20 kHz (Part 3) | Tsunoda, N.; Hara, T.; Nageno, K. | 2017/10 | AES | Transducers | |
| Evaluation of the Acoustics of the Roman Theater in Benevento for Discreet Listening Points | Iannace, G.; Trematerra, A. | 2017/10 | AES | Acoustics | |
| Analysis of Drum Machine Kick and Snare Sounds | Shier, J.; McNally, K.; Tzanetakis, G. | 2017/10 | AES | Intruments | |
| A Method for Efficiently Calculating Head-Related Transfer Functions Directly from Head Scan Point Clouds | Sridhar, R.; Choueiri, E. | 2017/10 | AES | Spatial Audio | |
| Blind Estimation of the Reverberation Fingerprint of Unknown Acoustic Environments | Murgai, P.; Rau, M.; Jot, J. | 2017/10 | AES | Acoustics, Listening Tests | |
| Sound Source and Loudspeaker Base Angle Dependency of Phantom Image Elevation Effect | Lee, H. | 2017/09 | AES | Transducers, Spatial Audio | |
| Large Scale Open Air Sound Reinforcement in Extreme Atmospheric Conditions (Engineering Brief) | Corteel, E.; Sugden, S.; Montignies, F. | 2017/08 | AES | Transducers, Acoustics | |
| The Emotional Characteristics of Bowed String Instruments with Different Pitch and Dynamics | Chau, C.; Gilburt, S. J. M.; Mo, R. | 2017/08 | AES | Instruments, Listening Tests | |
| Music Thumbnailing for Radio Podcasts: A Listener Evaluation | Mehrabi, A.; Harte, C.; Baume, C. | 2017/06 | AES | Listening Tests | |
| Robust Acoustic Contrast Control with Reduced In-situ Measurement by Acoustic Modeling | Zhu, Q.; Coleman, P.; Wu, M.; | 2017/06 | AES | Acoustics | |
| Timbral Attributes for Sound Effect Library Searching | Pearce, A.; Brookes, T.; Mason, R. | 2017/06 | AES | Perception | |
| Assessing the Relevance of Onset Information for Note Tracking in Piano Music Transcription | Valero-Mas, J. J.; Benetos, E.; Iñesta, J. M. | 2017/06 | AES | Semantic Audio | |
| Interactive Fundamental Frequency Estimation with Applications to Ethnomusicological Research | Müller, M.; Rosenzweig, S.; Driedger, J. | 2017/06 | AES | Semantic Audio | |
| Deleted Audio File Decay on a Digital Voice Recorder | Jones, J. | 2017/06 | AES | Forensics | |
| Modeling Perceptual Characteristics of Loudspeaker Reproduction in a Stereo Setup | Volk, C. P.; Bech, S.; Pedersen, T. H. | 2017/05 | AES | Transducers, Perception | |
| Loudness Management in the Blu-ray Disc Ecosystem in the Context of Today’s Playback Environments | Ehret, A.; Mehta, S.; Ward, M. | 2017/05 | AES | Loudness | |
| Personalized HRTF Measurement and 3D Audio Rendering for AR/VR Headsets | Gan, W.; Peksi, S.; He, J. | 2017/05 | AES | Spatial Audio | |
| Design of a Digitally Controlled Graphic Equalizer | Herrera Martinez, M.; Páez Soto, D. A.; Montenegro Niño, J. | 2017/05 | AES | Effects, Signal Processing | |
| Design of an Algorithm for VST Audio Mixing Based on Gibson Diagrams | Rodriguez Nino, B. J.; Herrera Martinez, M. | 2017/05 | AES | Signal Processing | |
| Combining Preference Ratings with Sensory Profiling for the Comparison of Audio Reproduction Systems | Walton, T.; Evans, M.; Melchior, F. | 2017/05 | AES | Perception, Listening Tests, Transducers | |
| The Audience Effect on the Acoustics of Ancient Theaters in Modern Use | Iannace, G.; Trematerra, A. | 2017/05 | AES | Acoustics | |
| The Influence of Symmetrical Human Ears on the Front-Back Confusion | Bomhardt, R.; Fels, J. | 2017/05 | AES | Spatial Audio, HRTF | |
| Parametric Joint Channel Coding of Immersive Audio | Lehtonen, H.; Purnhagen, H.; Villemoes, L. | 2017/05 | AES | Spatial Audio | |
| Comparative Perceptual Evaluation between Different Methods for Implementing Reverberation in a Binaural Context | Picinali, L.; Wallin, A.; Levtov, Y. | 2017/05 | AES | Perception | |
| The Evaluation of the Effect of Sound Directionality in Horizontal Plane on the Human Auditory Distance Perception in a Large Reverberant Room | Afghah, T.; Allen, A.; Otto, P. | 2017/05 | AES | Perception, Listening Tests | |
| An Open-Source Audio Renderer for 3D Audio with Hearing Loss and hearing Aid Simulations | Cuevas-Rodriguez, M.; Gonzalez-Toledo, D.; de La Rubia-Buestas, E. | 2017/05 | AES | Hearing & Hearing Loss Prevention, Spatial Audio | |
| Usability and Effectiveness of Auditory Sensory Substitution Models for the Visually Impaired | Csapo, A.; Spagnol, S.; Herrera Martinez, M. | 2017/05 | AES | Hearing & Hearing Loss Prevention | |
| Adaptive Audio Engine for EEG-Based Horror Game | Craig, J. | 2017/05 | AES | Game Audio | |
| An Analysis of Low-Arousal Piano Music Ratings to Uncover What Makes Calm and Sad Music So Difficult to Distinguish in Music Emotion Recognition | Hong, Y.; Chau, C.; Horner, A. | 2017/04 | AES | Listening Tests | |
| Personalized Object-Based Audio for Hearing Impaired TV Viewers | Shirley, B. G.; Meadows, M.; Malak, F. | 2017/04 | AES | Hearing & Hearing Loss Prevention, Spatial Audio | |
| A Generalized Method for Fractional-Octave Smoothing of Transfer Functions that Preserves Log-Frequency Symmetry | Tylka, J. G.; Boren, B. B.; Choueiri, E. Y. | 2017/03 | AES | Signal Processing | |
| Evaluation of Spatial Audio Reproduction Methods (Part 1): Elicitation of Perceptual Differences | Francombe, J.; Brookes, T.; Mason, R | 2017/03 | AES | Perception, Listening Tests, Spatial Audio | |
| Evaluation of Spatial Audio Reproduction Methods (Part 2): Analysis of Listener Preference | Francombe, J.; Brookes, T.; Mason, R. | 2017/03 | AES | Perception, Listening Tests, Spatial Audio | |
| Object-Based Reverberation for Spatial Audio | Coleman, P.; Franck, A.; Jackson, P. J. B. | 2017/02 | AES | Spatial Audio | |
| Perceptual Evaluation and Analysis of Reverberation in Multitrack Music Production | De Man, B.; McNally, K.; Reiss, J. D. | 2017/02 | AES | Perception | |
| User Preference on Artificial Reverberation and Delay Time Parameters | Pestana, P. D.; Reiss, J. D.; Barbosa, Á. | 2017/02 | AES | Listening Tests | |
| Perceptual Band Allocation (PBA) for the Rendering of Vertical Image Spread with a Vertical 2D Loudspeaker Array | Lee, H. | 2016/12 | AES | Perception, Spatial Audio | |
| An Investigation into How Reverberation Effects the Space of Instrument Emotional Characteristics | Mo, R.; So, R. H. Y.; Horner, A. | 2016/12 | AES | Perception | |
| The Emotional Characteristics of Piano Sounds with Different Pitch and Dynamics | Chau, Ch.; Mo, R.; Horner, A. | 2016/12 | AES | Perception | |
| The Effects of MP3 Compression on Perceived Emotional Characteristics in Musical Instruments | Mo, R.; Choi, G. L.; Lee, C. | 2016/12 | AES | Audio Coding, Perception | |
| Vertical Stereophonic Localization in the Presence of Interchannel Crosstalk: the Analysis of Frequency-Dependent Localization Thresholds | Wallis, R.; Lee, H. | 2016/10 | AES | Perception, Two-Channel Stereophony | |
| Soundfield Navigation using an Array of Higher-Order Ambisonics Microphones | Tylka, J. G.; Choueiri, E. | 2016/09 | AES | Ambisonics | |
| The Physics of Auditory Proximity and its Effects on Intelligibility and Recall | Griesinger, D. | 2016/09 | AES | | |
| Accurate Timbre and Frontal Localization without Head Tracking through Individual Eardrum Equalization of Headphones | Griesinger, D. | 2016/09 | AES | Binaural, Headphones | |
| Grateful Live: Mixing Multiple Recordings of a Dead Performance into an Immersive Experience | Queen Mary University of London, London, UK | 2016/09 | AES | Spatial Audio, Production | |
| Fully Coupled Time Domain Simulation of Loudspeaker Transducer Motors | Bezzola, A.; Brunet, P. | 2016/09 | AES | Transducers, Automotive | |
| From Interactive to Adaptive Mood-Based Music Listening Experiences in Social or Personal Contexts | Barthet, M.; Fazekas, G.; Allik, A. | 2016/09 | AES | | |
| Modelling Perceptual Characteristics of Prototype Headphones | Volk, Ch. P.; Pedersen, T. H.; Bech, S. | 2016/08 | AES | Perception, Headphones | |
| A Comparison of Sensory Profiles of Headphones Using Real Devices and HATS Recordings | Stegenborg-Andersen, T. | 2016/08 | AES | Transducers, Headphones | |
| Variation in Multitrack Mixes: Analysis of Low-level Audio Signal Features | Wilson, A.; Fazenda, B. | 2016/08 | AES | Production | |
| Organizing a sonic space through vocal imitations | Rocchesso, D.; Mauro, D. A.; Drioli, C. | 2016/08 | AES | | |
| On the Impact of The Semantic Content of Sound Events in Emotion Elicitation | Drossos, K.; Kaliakatsos-Papakostas, M.; Floros, A. | 2016/08 | AES | Perception | |
| An Intelligent Interface for Drum Pattern Variation and Comparative Evaluation of Algorithms | Vogl, R.; Leimeister, M.; Nuanáin, C. Ó. | 2016/08 | AES | | |
| Privacy-Aware Acoustic Assessments of Everyday Life | Bitzer, J.; Kissner, S.; Holube, I. | 2016/06 | AES | Acoustics | |
| Categorization of Broadcast Audio Objects in Complex Auditory Scenes | Woodcock, J.; Davies, W. J.; Cox, T. J. | 2016/06 | AES | Broadcast | |
| Adaptive Personal Tuning of Sound in Mobile Computers | Czyzewski, A.; Ciarkowski, A.; Kostek, B. | 2016/06 | AES | Audio Signal Processing | |
| A Meta-Analysis of High Resolution Audio Perceptual Evaluation | Reiss, J. D. | 2016/06 | AES | Perception | |
| Immersive Audio Delivery Using Joint Object Coding | Purnhagen, H.; Hirvonen, T.; Villemoes, L. | 2016/05 | AES | Spatial Audio | |
| Development Tools for Modern Audio Codecs | Larsen, J.; Wolters, M. | 2016/05 | AES | Applications | |
| A Novel Approach of Multichannel and Stereo Control Room Acoustic Treatment, Second Edition | Petrovic, B.; Davidovic, Z. | 2016/05 | AES | Acoustics, Instrumentatis | |
| Metrics for Constant Directivity | Sridhar, R.; Tylka, J. G.; Choueiri, E. | 2016/05 | AES | Instruments, Perception | |
| AC-4 - The Next Generation Audio Codec | Kjörling, K.; Rödén, J.; Wolters, M. | 2016/05 | AES | Audio Coding, Perception | |
| Effects of Sound-Induced Hearing Loss and Hearing Aids on the Perception of Music | Moore, B. C.J. | 2016/03 | AES | Hearing & Hearing Loss Prevention | |
| Perception of Audio Quality in Productions of Popular Music | Wilson, A.; Fazenda, B. M. | 2016/02 | AES | Perception, Production | |
| On Some Biases Encountered in Modern Audio Quality Listening Tests (Part 2): Selected Graphical Examples and Discussion | Zielinski, S. | 2016/02 | AES | Listening Test | |
| The Effects of Reverberation on the Emotional Characteristics of Musical Instruments | Mo, R; Wu, B.; Horner, A. | 2016/01 | AES | Instruments, Perception | |
| Bass Enhancement Settings in Portable Devices Based on Music Genre Recognition | Hoffmann, P.; Kostek, B. | 2016/01 | AES | Audio Signal Processing | |
| The Influence of Headphones on the Localization of External Loudspeaker Sources | Satongar, D.; Pike, C.; Lam, Y. W. | 2015/11 | AES | Headphones, Transducers, Perception | |
| The Effect of Interchannel Time Difference on Localization in Vertical Stereophony | Wallis, R.; Lee, H. | 2015/11 | AES | Two-Way Stereophony, Perception | |
| Sound Board: High-Resolution Audio | Stuart, B. | 2015/11 | AES | Perception, Audio Signal Processing | |
| 2D-to-3D Ambience Upmixing based on Perceptual Band Allocation | Lee, H. | 2015/11 | AES | Perception | |
| Capturing the Elevation Dependence of Interaural Time Difference with an Extension of the Spherical-Head Model | Sridhar, R.; Choueiri, E. | 2015/10 | AES | Spatial Audio | |
| Comparison of Techniques for Binaural Navigation of Higher-Order Ambisonic Soundfields | Tylka, J. G.; Choueiri, E. | 2015/10 | AES | Spatial Audio | |
| Lossless Audio Checker: A Software for the Detection of Upscaling, Upsampling, and Transcoding in Lossless Musical Tracks | Lacroix, J.; Prime, Y.; Remy, A.; Derrien, O. | 2015/10 | AES | Production | |
| Predicting the Acoustic Power Radiation from Loudspeaker Cabinets: A Numerically Efficient Approach | Cobianchi, M.; Rousseau, M. | 2015/10 | AES | Transducers, Perception | |
| A Database of Loudspeaker Polar Radiation Measurements | Tylka, J. G.; Sridhar, R.; Choueiri, E. | 2015/10 | AES | Transducers | |
| Perceived Audio Quality of Sounds Degraded by Nonlinear Distortions and Single-Ended Assessment Using HASQI | Kendrick, P.; Li, F.; Fazenda, B. | 2015/10 | AES | Perception | |
| The Measurement and Calibration of Sound Reproducing Systems | Toole, F. | 2015/08 | AES | Transducers | |
| Noise Reduction Performance of Various Signals for Impulse Response Measurement | Kaneda, Y. | 2015/05 | AES | Acoustics | |
| Audio Quality Moderates Localization Accuracy: Two Distinct Perceptual Effects? | Lindborg, P.; Kwan, N. A. | 2015/05 | AES | Perception | |
| Clean Audio for TV broadcast: An Object-Based Approach for Hearing-Impaired Viewers | Shirley, B.; Oldfield, R. | 2015/04 | AES | Broadcasting, Hearing & Hearing Loss Prevention | |
| The Relationship Between Target Quality and Interference in Sound Zone | Baykaner, K.; Coleman, P.; Mason, R. | 2015/02 | AES | Perception, Listening Test | |
| Measurements and Visualization of Sound Intensity Around the Human Head in Free Field Using Acoustic Vector Sensor | Kotus, J.; Kostek, B. | 2015/02 | AES | Measurement | |
| Spatial Audio Quality Perception (Part 2): A Linear Regression Model | Conetta, R.; Brookes, T.; Rumsey, F. | 2015/01 | AES | Spatial Audio, Perception | |
| Spatial Audio Quality Perception (Part 1): Impact of Commonly Encountered Processes | Conetta, R.; Brookes, T.; Rumsey, F. | 2015/01 | AES | Spatial Audio, Perception | |
| Effect of Vertical Microphone Layer Spacing for a 3D Microphone Array | Lee, H.; Gribben, Ch. | 2015/01 | AES | Transducers, Spatial Audio | |
| PHOnA: A Public Dataset of Measured Headphone Transfer Functions | Boren, B. B.; Geronazzo, M.; Majdak, P. | 2014/10 | AES | Spatial Audio | |
| A Hierarchical Approach to Archiving and Distribution | Stuart, J. R.; Craven, P. | 2014/10 | AES | Perception | |
| A New Approach to Impulse Response Measurements at High Sampling Rates | Tylka, J. G.; Sridhar, R.; Boren, B. B. | 2014/10 | AES | Audio Signal Processing | |
| Synthesis of Spatially Extended Virtual Source with Time-Frequency Decomposition of Mono Signals | Pihlajamäki, T.; Santala, O.; Pulkki, V. | 2014/08 | AES | Spatial Audio | |
| The Mathematics of Mixing | Terrell, M.; Simpson, A.; Sandler, M. | 2014/02 | AES | Production | |
| Feature Preprocessing with Restricted Boltzmann Machines for Music Similarity Learning | Tran, S.; Wolff, D.; Weyde, T. | 2014/01 | AES | Audio Signal Processing | |
| An Open Dataset for Research on Audio Field Recording Archives: freefield1010 | Stowell, D.; Plumbley, M. | 2014/01 | AES | Archiving, Restoration & Digital Libraries | |
| Vertical Localization Performance in a Practical 3-D WFS Formulation | Rohr, L.; Corteel, E.; Nguyen, K.-V. | 2013/12 | AES | Spatial Audio | |
| A Recursive Adaptive Method of Impulse Response Measurement with Constant SNR over Target Frequency Band | Ochiai, H.; Kaneda, Y. | 2013/10 | AES | Measurement | |
| Minimization of Decorrelator Artifacts in Directional Audio Coding by Covariance Domain Rendering | Vilkamo, J.; Pulkki, V. | 2013/10 | AES | Audio Coding | |
| A Comparison of Computational Precedence Models for Source Separation in Reverberant Environments | Hummersone, C.; Mason, R.; Brookes, T. | 2013/08 | AES | | |
| Perceptual Objective Listening Quality Assessment (POLQA), The Third Generation ITU-T Standard for End-to-End Speech Quality Measurement Part II-Perceptual Model | Beerends, J. G.; Schmidmer, C.; Berger, J. | 2013/07 | AES | Perception | |
| Perceptual Objective Listening Quality Assessment (POLQA), The Third Generation ITU-T Standard for End-to-End Speech Quality Measurement Part I-Temporal Alignment | Beerends, J. G.; Schmidmer, C.; Berger, J. | 2013/07 | AES | Perception | |
| New Aspects of Virtual Sound Source Localization Research-Impact of Visual Angle and 3-D Video Content on Sound Perception | Kunka, B.; Kostek, B. | 2013/06 | AES | Spatial Audio, Perception | |
| Testing A Novel Gesture-Based Mixing Interface | Lech, M.; Kostek, B. | 2013/06 | AES | Production | |
| Novel 5.1 Downmix Algorithm with Improved Dialogue Intelligibility | Lopatka, K.; Kunka, B.; Czyzewski, A. | 2013/05 | AES | Semantic Audio | |
| Software Techniques for Good Practice in Audio and Music Research | Figueira, L.; Cannam, C.; Plumbley, M. | 2013/05 | AES | Perception, Education | |
| Digital Filter for Modeling Air Absorption in Real Time | Petruzzellis, C.; Zanghieri, U. | 2013/05 | AES | Acoustics | |
| Polar Measurements of Harmonic and Multitone Distortion of Direct Radiating and Horn Loaded Transducers | Cobianchi, M.; Mizzoni, F.; Uncini, A. | 2013/05 | AES | Measurement | |
| Parametric Spatial Audio Reproduction with Higher-Order B-Format Microphone Input | Pulkki, V.; Politis, A.; Del Galdo, G. | 2013/05 | AES | Spatial Audio | |
| Enhancement of IEEE 802.11 in Handling Multiple Broadcasting Audio Data in Wireless ad-hoc Networks | Chousidis, C.; Nilavalan, R.; Floros, A. | 2013/05 | AES | Broadcasting | |
| Perception of Focused Sources in Wave Field Synthesis | Wierstorf, H.; Raake, A.; Geier, M.; Spors, S. | 2013/03 | AES | Perception, Spatial Audio | |
| Perceptual Evaluation of Model- and Signal-Based Predictors of the Mixing Time in Binaural Room Impulse Responses | Lindau, A.; Kosanke, L.; Weinzierl, S. | 2012/12 | AES | Perception, Binaural | |
| All-Round Ambisonic Panning and Decoding | Zotter, F.; Frank, M. | 2012/11 | AES | Ambisonics | |
| EspGrid: A Protocol for Participatory Electronic Ensemble Performance | Ogborn, D. | 2012/10 | AES | Audio Signal Processing | |
| MPEG Unified Speech and Audio Coding - The ISO/MPEG Standard for High-Efficiency Audio Coding of All Content Types | Neuendorf, M.; Multrus, M.; Rettelbach, N. | 2012/04 | AES | Audio Coding | |
| Perceptual Evaluation of Headphone Compensation in Binaural Synthesis Based on Non-Individual Recordings | Lindau, A.; Brinkmann, F. | 2012/01 | AES | Perception, Headphones, Binaural | |
| Recording Electric Guitar-The Science and the Myth | Case, A. | 2010/02 | AES | Recording, Instruments | |
| Clean Clocks, Once and for All? | Frandsen, Ch. G.; Travis, Ch. | 2006/05 | AES | Audio Coding, Audio Signal Processing | |
| Specifying the Jitter Performance of Audio Components | Lesso, P.; Travis, Ch. | 2004/10 | AES | Production, Audio Signal Processing | |
| The Distributed Edge Dipole (DED) Model for Cabinet Diffraction Effects | Urban, M.; Heil, Ch.; Pignon, C. | 2004/10 | AES | | |
| Wavefront Sculpture Technology | Urban, M.; Heil, Ch.; Bauman, P. | 2003/10 | AES | | |
| Wavefront Sculpture Technology | Bauman, P.; Urban, M.; Heil, Ch. | 2001/11 | AES | | |
| Digital Signal Processing Issues in the Context of Binaural and Transaural Stereophony | Jot, J.-M.; Larcher, V.; Warusfel, O. | 1995/02 | AES | Audio Signal Processing, Binaural | |
| Sound Fields Radiated by Multiple Sound Sources Arrays | Heil, C.; Urban, M. | 1992/03 | AES | | |
| The Spectral Recording Process | Dolby, R. | 1986/11 | AES | Production | |
| A 20 dB Audio Noise Reduction System for Consumer Applications | Dolby, R. | 1981/10 | AES | Audio Signal Processing | |
| Phonograph Preamplifier Design Criteria: An Update | Holman, T. | 1980/03 | AES | Transducers | |
| New Factors in Phonograph Preamplifier Design | Holman, T. | 1976/05 | AES | Transducers | |
| Parametric Equalization | Massenburg, G. | 1972/05 | AES | Production | |
| A Noise Reduction System for Consumer Tape Recording | Dolby, R. | 1972/03 | AES | Audio Signal Processing, Production | |
| A Noise Reduction System for Consumer Tape Recording | Dolby, R. | 1971/03 | AES | Audio Signal Processing, Production | |
| An Audio Noise Reduction System | Dolby, R. | 1967/10 | AES | Audio Signal Processing | |
| Wide-angle Dispersion of High Frequency Sound | Cohen, A. B. | 1952/12 | AES | Transducers | |
| No Coded Signals | Morris, H. S. | 1952/10 | AES | Audio Signal Processing | |
| Magnetic Audio Frequency [Amplifier] Fundamentals | Vincent, A. M. | 1952/09 | AES | Electrics | |
| The Problems of Low-frequency [Sound] Reproduction | White, S. J. | 1952/04 | AES | Transducers | |
| Direct Radiator Loudspeaker Enclosures | Olson, H. F. | 1951/11 | AES | Transducers | |
| The Measurement of Audio Volume, Part 2 | Chinn, H. A. | 1951/10 | AES | Measurement | |
| The Measurement of Audio Volume, Part 1 | Chinn, H. A. | 1951/09 | AES | Measurement | |
| Toward a More Realistic Audio | Snyder, R. H. | 1951/08 | AES | Transducers | |
| New Method of Measuring and Analyzing Intermodulation | Le Bel, C. J. | 1951/07 | AES | Measurement | |
| Effect of Sound Intensity Level on Judgement of 'Tonal Range' and 'Volume Level' | Stuntz, S. E. | 1951/05 | AES | Perception | |
| Loudspeaker Damping, Part 2 | Preisman, A. | 1951/04 | AES | Transducers | |
| Loudspeaker Damping, Part 1 | Preisman, A. | 1951/03 | AES | Transducers | |
| AES Standard [Disk] Playback Curve | AES Standards Committee | 1951/01 | AES | Production | |
| Sound Reinforcing Systems | Schneider, A. W. | 1950/11 | AES | Transducers | |
| Automatic Audio Gain Controls, Part 2 | Hathaway, J. L. | 1950/10 | AES | Broadcasting | |
| Automatic Audio Gain Controls, Part 1 | Hathaway, J. L. | 1950/09 | AES | Broadcasting | |
| Heated Stylus Recording Techniques | Wortman, L. A. | 1950/07 | AES | Transducers | |
| The Diamond as a Phonograph Stylus Material | Marcus, E. J.; Marcus, M. V. | 1950/07 | AES | Transducers | |
| Longitudinal Noise in Audio Circuits, Part 2 | Augustadt, H. W.; Konnenberg, W. F. | 1950/02 | AES | Electrics | |
| Longitudinal Noise in Audio Circuits, Part 1 | Augustadt, H. W.; Konnenberg, W. F. | 1950/01 | AES | Electrics | |
| Lateral Feedback Disk Recorder | Yenzer, G. R. | 1949/09 | AES | Production | |
| A New Electronic Audio Sweep-Frequency Generator | Toomin, H. | 1949/08 | AES | Measurement | |
| The calibration of VHF/UHF field strength measuring equipment | J. Middleton | 2001 | BBC | VHF/UHF field strength, calibration | |
| The validation of interference reduction techniques used in planning the UK DTT network | J. Middleton | 2001 | BBC | Interference reduction, DTT network planning | |
| Multiplex coverage equalisation RTS Award submission | T. Everest | 2001 | BBC | digital television, planning | |
| Cumulative effects of distributed interferers | J.H. Stott | 2001 | BBC | DSL, PLT, PLC, emissions, broadcasting, aircraft safety, cumulative interference | |
| Acoustic modelling - approximations to the real world | R. Walker | 2001 | BBC | Acoustic modelling, sound propagation | |
| Digital Radio - Common problems in DAB receivers | M.R. Ellis | 2001 | BBC | Digital Radio; DAB; Digital Audio Broadcasting; receiver; common problems | |
| Applications of depth METADATA | O. Grau | 2001 | BBC | METADATA, depth sensing | |
| How to recognise video image sources | A. Roberts | 2001 | BBC | video image recognition | |
| Watermarking: What is it, Why do it, How can it be used? | R. Salmon | 2001 | BBC | video, watermarking | |
| Interference to analogue TV reception due to building developments at Canary Wharf | P.D. Parsons | 2001 | BBC | Interference, television reception, Canary Wharf | |
| Control and asset management in future networked studio architectures | P.N. Tudor | 2001 | BBC | television, production, network architecture, Pro-MPEG | |
| AM broadcasting and emissions from xDSL/PLT/etc Compatibility analysis of various proposals for limits | J.H. Stott | 2001 | BBC | radio interference, DSL, PLT, PLC, emissions, broadcasting, AM, NB30 MPT1570 | |
| Emission limits A new proposal based on a limited increase in the noise floor | J.H. Stott | 2001 | BBC | radio interference, DSL, PLT, PLC, emissions, broadcasting, AM, NB30 MPT1570 | |
| TV gets personal | A. Oliphant | 2001 | BBC | television, VCR, TiVo, EPG | |
| Applications of speech recognition technology in broadcasting | D.G. Kirby | 2001 | BBC | speech recognition, programme production, archive retrieval, teleprompter, subtitling | |
| Digital Radio Mondiale field trials and their impact on system design and operation | A. Giefer | 2002 | BBC | digital radio, DRM | |
| All present and correct? Monitoring the BBC's multi-channel digital TV services | R. Marsden | 2002 | BBC | digital television, digital text, DVB, monitoring | |
| The DVB MHP Internet Access profile | J.C. Newell | 2002 | BBC | digital television, DVB, MHP, Internet Access profile | |
| Delivering Interactive DTV services to multiple target platforms | R. Bradbury | 2002 | BBC | digital television, DVB, MHP, Internet Access profile | |
| myTV: A practical implementation of TV-Anytime on DVB and the Internet | A. McParland | 2002 | BBC | digital television, myTV, TV-Anytime, DVB, MHP, set-top box, Internet | |
| Acoustic criteria and specification | R. Walker | 2002 | BBC | acoustics, building, noise, insulation, reverberation time | |
| Digital Radio Mondiale (DRM): Compliance testing and specification validation | O.P. Haffenden | 2002 | BBC | digital radio, DRM, compliance testing | |
| Digital Television Services): The revised spectral mask for PAL - transmitters and its effect on PAL-I reception | R.H.M. Poole | 2002 | BBC | digital television, transmission, reception, spectral mask, PAL-I, DTT | |
| The BBC Digital Radio Camera Project | none listed | 2002 | BBC | digital radio camera, COFDM, DVB-T, DVCPRO | |
| Report on formal subjective viewing tests of MPEG-2 video encoding for High Definition and Standard Definition Television on Plasma Display Panels | T. Davies | 2002 | BBC | MPEG-2 coding, 720p, HD compression, Plasma Displays | |
| Virtual identities in interactive broadcasting | M. Greef | 2002 | BBC | non-linear narratives, interactive storytelling, interactive TV, interactive edutainment | |
| Spectrum matters in the all-digital future | T. Everest | 2002 | BBC | digital television, SFNs, MFNs, 2k, 8k, transmission networks, service requirements, all-digital future, spectrum | |
| Some thoughts on the use of Hierarchical Modulation in DVB-T | P.L. Marsden | 2002 | BBC | hierarchical, DVB-T | |
| Performance of DTT receivers following a mode change | C.R. Nokes | 2002 | BBC | digital terrestrial television; receiver; set-top box; integrated digital television | |
| An introduction to MHP 1.0 and MHP 1.1 | J.C. Newell | 2002 | BBC | interactive, API, MHP, JavaTV | |
| Reed-Solomon Error Correction | C.K.P. Clarke | 2002 | BBC | digital television, error-correcting codes, DVB-T, hardware implementation, Galois field arithmetic | |
| Digital Radio Mondiale longterm test results (February 2002) | A. Giefer | 2002 | BBC | none listed | |
| Use of 3-D techniques for Virtual Production | O. Grau | 2002 | BBC | Virtual Studio, 3-D Reconstruction, Virtual Production, 3-D Programmes, Shape Representation, Shape from Silhouette | |
| Colorimetric and Resolution requirements of cameras? | Alan Roberts | 2002 | BBC | camera, colorimetry, gamma, knee, aperture correction, detail enhancement, film look, shuttering | |
| Use of image-based 3D modelling techniques in broadcast applications | O. Grau | 2002 | BBC | Virtual Production, Virtual Studio, Special Effects, 3D Reconstruction | |
| The Advanced Authoring Format (AAF) | P. Tudor | 2002 | BBC | MXF | |
| TPEG library v2.0 overview | T. Ferne | 2002 | BBC | none listed | |
| The MUSHRA audio subjective test method | A.J. Mason | 2002 | BBC | none listed | |
| Using Channel State Information (CSI) to characterise DVB-T reception | J. Lago-Fernández | 2002 | BBC | none listed | |
| Evolving technical architecture for BBC public service digital television | S.T. Baily | 2002 | BBC | none listed | |
| The Application of Intimate Metadata in Post Production | P. W. Walland (Snell & Wilcox Ltd., UK) | 2002 | BBC | none listed | |
| The use of component-based technology to support EPG data capture | N.J. Megitt | 2002 | BBC | none listed | |
| Simutainment: A factual TV documentary as a 3D interactive experience | J. Fletcher | 2002 | BBC | none listed | |
| Applications of novel video compression technology in television | T.J. Davies | 2002 | BBC | none listed | |
| Real-time production and delivery of 3D media | M. Price | 2002 | BBC | none listed | |
| Metadata in TV production: Associating the TV production process with relevant technologies | D.J. Rayers | 2002 | BBC | none listed | |
| The Digiplan Project: Coverage prediction for digital broadcast services | M.B.R. Lee | 2002 | BBC | none listed | |
| UK Planning Model for Digital Terrestrial Television coverage | P.G. Brown (NTL | 2002 | BBC | none listed | |
| Digital Radio Mondiale: Finding the right transmission mode for tropical broadcasting | A. Giefer | 2002 | BBC | none listed | |
| TV-Anytime - using all that extra data | A.K. McParland | 2002 | BBC | none listed | |
| Audio Description: what it is and how it works (Published in October 2002, it was revised in July 2004) | N.E. Tanton | 2002 | BBC | Access services, visual impairments, audio description, digital television, digital terrestrial television, DTV, DTT | |
| Spectrum for Digital Radio Cameras | J.T. Zubrzycki | 2002 | BBC | none listed | |
| The Film Look: It's Not Just Jerky Motion⦠| A.Roberts | 2002 | BBC | Camera, colorimetry, gamma, knee, aperture correction, detail enhancement, depth of field, shuttering, film look | |
| Echoes, Doppler and DVB-T Receivers: Some Theory and Practice | R. Poole | 2003 | BBC | DVB-T, multipath, Doppler, channel equaliser, noise bucket | |
| Do EMC limits protect broadcasting as intended? | J.H. Stott | 2003 | BBC | none listed | |
| DTT Comparison of 64QAM(2/3) with 16QAM(3/4): Co-channel Interference from PAL, Echoes and Impulsive Interference | John Salter | 2003 | BBC | DVB-T, multipath, noise bucket, END, OFDM | |
| Audio watermarking | R. Walker | 2004 | BBC | audio, watermark, coding, bit rate reduction | |
| Diversity Reception of Digital Terrestrial Television (DVB-T) | Justin Mitchell | 2003 | BBC | LSI Logic, L64782 | |
| Digital Radio Mondiale: Features and Requirements from a Broadcaster's Perspective | Andy Giefer | 2003 | BBC | none listed | |
| A Java API to TV-Anytime data | Tristan Ferne | 2003 | BBC | Java, TV-Anytime, XML, SAX, API, Metadata, Programme Description, PVR, PDR | |
| DAB: an introduction to the Eureka DAB System and a guide to how it works | C. Gandy | 2003 | BBC | digital radio, Eureka 147, DAB | |
| DVB-T for mobile microwave links | D. van Kemenade | 2003 | BBC | DVB-T, microwave links, time interleaving, forward error coding | |
| How best to protect radio services as intended? | J.H. Stott | 2003 | BBC | none listed | |
| Digital Radio Mondiale - revitalising the bands below 30 MHz | J.H. Stott | 2003 | BBC | none listed | |
| Speech Recognition in Assisted and Live Subtitling for Television | M.J. Evans | 2003 | BBC | speech recognition, television subtitling | |
| Specifying UHF active antennas and calculating system Performance | John Salter | 2003 | BBC | noise-figure, noise-temperature, G/T | |
| The effects of power-line telecommunications on broadcast reception: second trial in Crieff | Jonathan Stott | 2003 | BBC | EMC PLC | |
| Broadcast services enabled by local storage and connectivity | T.J. Sargeant | 2003 | BBC | Local Storage, Non-linear playback, Peer to Peer, Segmentation, TV-Anytime | |
| The handouts from the 2003 Open Days | P. Shelswell (edited by) | 2004 | BBC | none listed | |
| A distributed live subtitling system | M. Marks | 2003 | BBC | television, subtitling, speech recognition | |
| Mixed Reality Productions of the Future | V. Lalioti | 2003 | BBC | television, edutainment, production tools, augmented reality, mixed reality, interactive | |
| New methods of image capture to support advanced post-production | G.A. Thomas | 2003 | BBC | television, post-production, depth estimation, virtual objects | |
| New production tools for the planning and the on-set visualisation of virtual and real scenes | O. Grau | 2003 | BBC | none listed | |
| The development of ATM network technology for live production infrastructure | C.J. Chambers | 2003 | BBC | none listed | |
| The potential of visual navigation | L. Hooberman (BBC Creative
R&D)
| 2003 | BBC | none listed | |
| Enabling interoperable IT-based programme-making tools with AAF & MXF | S.H. Cunningham | 2003 | BBC | none listed | |
| A studio production system for dynamic 3D content | O. Grau | 2002 | BBC | 3D reconstruction, visual hull computation, studio system, virtual reality, on-set visualisation | |
| Audio watermarking - The state of the art and results of EBU tests | A.J. Mason | 2004 | BBC | none listed | |
| Calculation of the field strength of an interfering signal to produce 3 dB reduction of 46 dB4W s/n ratio for a 15 kHz AF bandwidth FM link | P.N. Moss | 2003 | BBC | frequency modulation, interfering signals, EN55103-1 | |
| Modelling impulsive interference in DVB-T: Statistical analysis, test waveforms and receiver performance | J. Lago-Fernández | 2004 | BBC | ignition noise, EMC, statistics | |
| Audio watermarking - Summary results of EBU tests | A.J. Mason | 2004 | BBC | none listed | |
| Digital switch-over: Tackling in-home distribution | C. Bowley | 2004 | BBC | Wireless local area networks, digital video sender, Ultrawideband | |
| Bi-directional affine motion compensation using a content-based, non-connected, triangular mesh | Marc Servais (University of
Surrey, UK)
| 2004 | BBC | none listed | |
| The broadband platform: Streamed 3D interactive mixed media in the home | M. Price | 2004 | BBC | broadband, interactivity, streaming, television, radio, computer games | |
| The Rel: A perception-based measure of resolution | A. Roberts | 2004 | BBC | resolution, sub-sampling | |
| A combined studio production system for 3D capturing of live action and immersive actor feedback | O. Grau | 2004 | BBC | studio system, 3D reconstruction, view-dependent projection, Virtual Reality, distributed system | |
| A quantitive comparison of TV-Anytime and DVB-SI | J.C. Newell | 2004 | BBC | EIT, Schedule, metadata | |
| Audience monitoring of BBC Interactive services on DTV: A preliminary study into a possible technique | R.P. Marsden | 2004 | BBC | Digital Television, Interactive Service, Audience Research, Monitoring | |
| The changing world of TV displays - CRTs challenged by flat-panel displays | R. Salmon | 2004 | BBC | PDP, Plasma, LCD, Liquid Crystal Projection, DMD | |
| Results of a survey on television viewing distance | N.E. Tanton | 2004 | BBC | TV, viewing distance, widescreen | |
| Ferrite Rod Antennas for HF? | R.H.M. Poole | 2004 | BBC | Electric field, magnetic field, field strength, relative permeability, complex permeability | |
| Tests of visual acuity to determine the resolution required of a television transmission system | J.O. Drewery | 2004 | BBC | HDTV flat-screen panel | |
| The taming of the gyrator | R.H.M. Poole | 2004 | BBC | none listed | |
| Digital Radio Mondiale (DRM): multi-transmitter networks and diversity reception | O.P. Haffenden | 2004 | BBC | none listed | |
| Digital Radio Mondiale (DRM): transmission infrastructure and synchronised networks | A.J. Murphy | 2004 | BBC | none listed | |
| Archiving Interactive Digital Television | Duncan Chisholm | 2004 | BBC | none listed | |
| Broadcast media exchange for B2B applications | P.J. Brightwell | 2004 | BBC | none listed | |
| Genome a personalized Programme Guide | T. Ferne | 2004 | BBC | TV-Anytime, EPG, Agents | |
| PLT and broadcasting - can they co-exist? | J.H. Stott | 2004 | BBC | PLT, PLC, BPL, EMC, radio broadcasting | |
| DAB receiver testing | M.R. Ellis | 2004 | BBC | radio broadcasting | |
| EBU tests of commercial audio watermarking systems | A.J. Mason | 2004 | BBC | none listed | |
| 3D sequence generation from multiple cameras | O. Grau | 2004 | BBC | none listed | |
| The theory of electrically-short antennas | R.H.M. Poole | 2004 | BBC | none listed | |
| Technologies for efficient emission of HDTV across Europe | Simon Gauntlett | 2005 | BBC | DVB-S2 VC-1 H264 | |
| Digital Television Services: Equivalent Noise Floors and Equivalent Noise Degradation | R.H.M. Poole | 2005 | BBC | none listed | |
| How does one calculate and measure AGC time-constants? | R.H.M. Poole | 2005 | BBC | none listed | |
| Whatâs so great about Digital Radio anyway? | M.R. Ellis | 2005 | BBC | DAB; Digital Radio; OFDM; COFDM; FEC; MPEG; DTT; WiFi; DVB | |
| A 3D production pipeline for special effects in TV and film | O.Grau | 2005 | BBC | 3D reconstruction, special effects, Film and TV production, mixed reality, on-set visualisation | |
| Digital Radio Mondiale: DRM, digital Radio long, mediuam and short waves another radio revolution? | J.H. Stott | 2005 | BBC | none listed | |
| CICO: A Web-Deployable Application for Remote File Access | S. Jolly | 2005 | BBC | CICO, MDP, Media Dispatch, SOAP | |
| 3D modelling and rendering of studio and sport scenes for TV applications | O. Grau | 2005 | BBC | none listed | |
| Hardware for Arithmetic Coding | Peter J. Bleackley | 2005 | BBC | video coding, Dirac, arithmetic coding, hardware | |
| Kamaelia: highly concurrent and network systems tamed | Michael Sparks | 2005 | BBC | concurrency, networks, parallelism, architecture, protocol, python | |
| Co-existence of PLT and Radio Services â A Possibility? | J.H. Stott | 2005 | BBC | PLC, BPL, dynamic notching interference | |
| The handouts from the 2005 Open Days | Edited by P. Shelswell | 2005 | BBC | none listed | |
| The effects of power-line telecommunications on broadcast reception: second trial in Crieff | S. Fleming | 2005 | BBC | PLC, BPL, short-wave, EMC, DRM | |
| Dirac - video compression using open technology | T. Borer | 2005 | BBC | none listed | |
| Cascaded Audio Coding | David Marston | 2005 | BBC | none listed | |
| Mezzanine Compression for HDTV | R.T. Russell | 2005 | BBC | none listed | |
| Digital on-channel repeater for DAB | A. Wiewiorka | 2005 | BBC | none listed | |
| FLOORMAN - freeing the director from the production gallery | R.H. Evans | 2005 | BBC | none listed | |
| The development of performance models for media storage systems | Y. Xiao | 2005 | BBC | none listed | |
| Music production planning - Updating the process after 50 years! | M. J. Evans | 2005 | BBC | none listed | |
| Dirac video compression | T. Borer | 2005 | BBC | none listed | |
| The availability of UHF spectrum for SAB after television switch-over | J.A. Green | 2005 | BBC | SAB, channel availability, DTT analogue, switch-over | |
| Co-axial cables | C. Gandy | 2005 | BBC | co-axial cable, transmission line, characteristic impedance, power rating, dielectric breakdown, dielectric hysteresis, loss | |
| Digital TV Receiver Projects - âDigital TV Hacksâ | S. Jolly | 2005 | BBC | PieSpy, Project X, DVB Tools, DVB, VLC, SubStream, Open Tech 2005 | |
| 3D in Content Creation and Post-Production | O. Grau | 2005 | BBC | none listed | |
| DirectShow Audio and Video Editing Filters, and a Delphi Component | R. Storey | 2006 | BBC | Mpeg, Scrub play, Video, Audio, Editing, Effects, Delphi, DirectShow, Component | |
| Research on 3D Interactive Platforms at BBC R&D | M. Price | 2006 | BBC | none listed | |
| Video Quality and Digital TV Broadcasting | Mike Armstrong | 2006 | BBC | DTT, DSAT, multiplex, encoding, decoding, audience | |
| Dipole Antennas | C. Gandy | 2006 | BBC | antenna, dipole, antenna gain, effective aperture area, link budget, radiation resistance, cage dipole, folded dipole, balun, monopole,
biconical dipole, discone
| |
| Improving workflow in practice for low-cost programme-making using MXF & AAF file formats | P.N. Tudor | 2006 | BBC | none listed | |
| Portable Content Format - a standard for describing an interactive digital television service | R. Bradbury | 2006 | BBC | none listed | |
| Audible ID3v2 metadata for the visually impaired | J.C.W. Newell | 2006 | BBC | MP3, AAC | |
| A Delphi component set for AAF | R. Storey | 2006 | BBC | AAF, Edit Protocol, mpeg, players, sequence players, timecode, shot-change, key-frame, scrub-play | |
| A simple media logger using AAF | R. Storey | 2006 | BBC | AAF, MXF, Edit Protocol, Ingest, Logging, Editing, integration, joined up broadcasting | |
| An mpeg video editor using AAF | R. Storey | 2006 | BBC | AAF, MXF, Edit Protocol, long GoP mpeg, editing, logging, ingest | |
| Digital Radio Mondiale: An E-Field Generator for Receiver Testing | R.H.M. Poole | 2006 | BBC | field-strength, E-field, H-field, probe, calibration | |
| Digital Radio Mondiale: A âpseudo TEM-cellâ for receiver testing | R.H.M. Poole | 2006 | BBC | field-strength, E-field, H-field, probe, calibration | |
| Tapeless and paperless: Automating the workflow in TV studio production | John Fletcher | 2006 | BBC | none listed | |
| A free-viewpoint video system for visualisation of sport scenes | O. Grau | 2006 | BBC | sport replay, 3D reconstruction, image-based rendering | |
| Multi-camera radiometric surface modelling for image-based re-lighting | O. Grau | 2007 | BBC | none listed | |
| A dual polarisation MIMO broadcast TV system | J.D. Mitchell | 2006 | BBC | none listed | |
| Mixed reality techniques for TV and their application for on-set and pre-visualization in film production | G.A. Thomas | 2007 | BBC | virtual studio, augmented reality, TV production | |
| Real-time camera pose estimation for augmenting sports scenes | G.A. Thomas | 2007 | BBC | camera tracking, pose estimation, football, soccer | |
| Real-Time Camera Tracking in the MATRIS project | J. Chandaria | 2007 | BBC | virtual studio, augmented reality, TV production | |
| Business-to-business metadata interchange: Requirements for transport and packaging | R. Bradbury | 2007 | BBC | TV-anytime | |
| A Robust Free-Viewpoint Video System for Sport Scenes | O. Grau | 2007 | BBC | Sport replay, 3D reconstruction, image-based rendering | |
| Video contribution over wired and wireless IP network â Challenges and Solutions | Y. Zheng | 2007 | BBC | Video Contribution over IP, WiMax, Pro-MPEG FEC | |
| The Protection of Digital Broadcast Reception EMC UK 2006 paper and presentation | Jonathan Stott | | BBC | none listed | |
| Launch of International Radio Services using Digital Radio Mondiale (DRM) IRST 2006 paper & presentation | Jonathan Stott | 2007 | BBC | short wave medium wave long wave HF | |
| A Bayesian Framework for Simultaneous Matting and 3D Reconstruction | J.-Y. Guillemaut | 2007 | BBC | 3D reconstruction, segmentation, image-based rendering | |
| Dual-Mode Deformable Models for Free-Viewpoint Video of Outdoor Sports Events | J. Kilner | 2007 | BBC | 3D reconstruction, sport visualization, image-based rendering | |
| File-based Production: Making It Work In Practice | Stuart Cunningham | 2007 | BBC | Ingex, Avid, AAF, archive, libMXF, FFmpeg, open source | |
| DVB-T and Voltage Ratings of Transmission Equipment | R.H.M. Poole | 2007 | BBC | none listed | |
| MIMO for Broadcast â results from a high-power UK trial | J. Boyer | 2007 | BBC | none listed | |
| Standardising media delivery in a file-based world | Peter Brightwell | 2007 | BBC | tapeless, FTP, HTTP, XML, open source, manifest, B2B, SOA, SMPTE, despatch, production gateway, latency, packet loss, architecture | |
| Open Technology Video Compression for Production and Post Production | Tim Borer | 2007 | BBC | open source | |
| Digital TV Switchover: An aerial test that uses a teletext test page | John Salter | 2009 | BBC | reception, antenna, digital margin | |
| 2-by-2 MIMO fixed reception channel model for dual-polar terrestrial transmission | Peter Moss | 2008 | BBC | none listed | |
| 2-by-2 MIMO portable reception channel model for dual-polar terrestrial transmission | Peter Moss | 2008 | BBC | none listed | |
| awaiting publication | | | BBC | | |
| Portable Receivers for Digital Radio Mondiale: A Look at Antennas and Sensitivities | Ranulph Poole | 2008 | BBC | none listed | |
| A multi-cue bayesian state estimator for gaze prediction in open signed video | S.J.C Davies | 2008 | BBC | none listed | |
| Music information retrieval in broadcasting: Some visual applications | Andrew Mason | 2008 | BBC | none listed | |
| D3 Preservation File Format | Philip de Nier | 2008 | BBC | Ingex, LTO, Infax | |
| Real-Time Camera Tracking | G.A. Thomas | 2008 | BBC | camera tracking, pose estimation, football, soccer | |
| High Frame-Rate Television using Sports Pitch Markings | M Armstrong | 2008 | BBC | static, dynamic, compression, shuttering, temporal | |
| Standardising Audio Contribution over IP Communications | P.A. Stevens | 2008 | BBC | RTP, SIP, SDP, UDP, VoIP, ACIP, NMC, aoip, G.711, G.722, MP2, PCM, PJSIP, Voice, Asterisk, Server, Outside Broadcast, TECH 3326, TECH
3329
| |
| Location-aware social mobile gaming as a learning tool | Maxine Glancy | 2009 | BBC | gaming, phone, social, education, children, community, collaboration, competition, multi-player, Java, J2ME, MIDlet, client-server, thin-client | |
| The Challenges of Three-Dimensional Television | S. Jolly | 2009 | BBC | 3DTV, Beyond, HD, SDA2009 | |
| The Plymouth Digital Radio Mondiale (Drm) Trial Long-term Reception Results | A. Murphy | 2009 | BBC | Theseus | |
| Managing a Real World Dolby E Broadcast Workflow | Rowan de Pomerai | 2009 | BBC | none listed | |
| Factors affecting perception of audio-video synchronisation in television | A.J.Mason | 2009 | BBC | lip sync | |
| Report on CLARET CLAssification and RETrieval of Images | Krystian Mikolajczyk
(University of
Surrey)
| 2009 | BBC | object, recognition, search, index, metadata | |
| GRIDFT Server Simple Performance Measurements | D. Butler | 2010 | BBC | GRID, Globus, Cloud Computing, X.509, IETF | |
| PeRvasive Infrastructure and Services for Media | D. Butler | 2009 | BBC | GRID, Network, Distributed Computing, Cloud, Globus, Web Service | |
| Stereoscopic 3D sports content without stereo rigs | Oliver Grau | 2009 | BBC | Stereoscopic content production, 3D reconstruction | |
| Image-based Camera Tracking for Athletics | Robert Dawes | 2009 | BBC | Image processing, Image motion analysis, Tracking | |
| Compatibility Challenges for Broadcast Networks and White Space Devices | Mark Waddell | 2010 | BBC | White Space, Cognitive Radio, Digital Dividend, Interleaved Spectrum | |
| High performance file transfer over IP networks | Peter Brightwell | 2010 | BBC | acceleration, authentication, bandwidth, BDP, buffer, congestion, connectivity, CIFS, cloud, delivery, despatch, dispatch,
encryption, exchange, facility, firewall, FTP, GridFTP, HTTPS, Internet,
latency, MDP, NAT, optimisation, packet loss, performance, prioritisation,
protocol, resource allocation, rushes, scheduling, SCP, web service,
SFTP, tapeless, TCP,
throughput, TOE, tuning, UDP, verification, WAN, window
| |
| FM Radio: The calculation of distortion arising from multipath propagation | Ranulph Poole | 2010 | BBC | none listed | |
| Enabling and Enriching Broadcast Services by Combining IP and Broadcast Delivery | Mike Armstrong | 2010 | BBC | audio, alternative audio, clean audio, hard of hearing | |
| Developments in automated tapeless production for multi-camera programmes | P.N. Tudor | 2010 | BBC | MXF, AAF, QuickTime | |
| An Integrated Monitoring Solution for Media Streams on IP Networks | Yang Xiao | 2010 | BBC | SNMP | |
| Physical Path Tracing for IP Traffic using SNMP | Yang Xiao | 2010 | BBC | none listed | |
| A comparison of the carbon footprint of digital terrestrial television with video-on-demand | Jigna Chandaria | 2011 | BBC | environmental impact | |
| Audio processing and speech intelligibility: A literature review | Mike Armstrong | 2011 | BBC | signal separation, source separation, unmixing, independent component analysis. | |
| A system for distributed multi-camera capture and processing | Jim Easterbrook | 2011 | BBC | real-time image processing, image capture, 3D reconstruction, free-viewpoint rendering, special effects, production system | |
| TV-Anytime support for personalised recommendations | Chris Newell | 2011 | BBC | MyMedia | |
| The Universal Control API version 0.6.0 - An overview | J.P. Barrett | 2011 | BBC | remote, control, interface, HTTP, REST, accessible, UPnP, DLNA, IP | |
| The Universal Control API v.0.6.0 - Specification for the behaviour of a universal control server running on a set-top box, and the clients that connect to it | J.P. Barrett | 2011 | BBC | remote, control, interface, HTTP, REST, accessible, IP | |
| VHF emissions from PLT devices - First investigation of potential interference to broadcast reception | M. Waddell | 2011 | BBC | home networking, interference measurement, emissions, EMC | |
| DVB-T2: The Common Simulation Platform | O. Haffenden | 2011 | BBC | none listed | |
| Tools for 3D-TV Programme Production | Oliver Grau | 2011 | BBC | multimedia systems, stereo vision, tv broadcasting | |
| Audio description studio signal | Trevor Ware | 2011 | BBC | AES3, SDI, Manchester code, phase encoding, CRC, Dolby E, AD | |
| Results of the DRM+ high power field trial in the United Kingdom | Lindsay Cornell | 2011 | BBC | DRM+ | |
| Interestingness detection in Sports Audio Broadcasts | Sam Davies | 2011 | BBC | Accuracy, Estimation, Event detection, Feature extraction, Frequency estimation, Media, Noise | |
| Affective Classification of Large Scale Broadcast Archives | Sam Davies | 2012 | BBC | Multimodal, feature extraction, semantic metadata, classification, retrieval, algorithms, management, experimentation | |
| Terminology for loudness and level - dBTP, LU, and all that | Andrew Mason | 2011 | BBC | MPEG 4, Dolby, dialnorm, RF mode, Line mode | |
| Use of the low frequency effects (LFE) channel in broadcasting | Andrew Mason | 2011 | BBC | bass management, Dolby Digital, AC3, 5.1, low frequency enhancement channel | |
| Techniques for high-performance DAB and DVB-T on-Channel Repeaters | Peter Moss | 2012 | BBC | Active deflector, DAB, DVB-T, On-channel repeater, SFN, transposer | |
| A simple model of the UHF cross-polar terrestrial channel for DVB-NGH | Peter Moss | 2011 | BBC | Channel model, Cross-polar, DVB-H , Handheld , NGH, UHF | |
| On the concatenation of video processing within news journalism production | S Thompson | 2012 | BBC | Picture Quality, High Definition, HD, Standard Definition, SD, Peak Signal to Noise Ratio, PSNR, SNG, Satellite News Gathering, H.264, XDCAM,
AVC-Intra, Journalism, Workflow
| |
| Combining Panoramic Image and 3D Audio Capture with Conventional Coverage for Immersive and Interactive Content Production | Graham Thomas | 2011 | BBC | Ambisonics, image registration | |
| Surround Video | Peter Mills | 2011 | BBC | Immersive, Two Camera Rig, Dual Display, Peripheral Vision | |
| Higher Frame Rates for More Immersive Video and Television | R.A. Salmon | 2011 | BBC | High frame rate, shuttering, temporal resolution | |
| Scene Segmentation using Multiple Metrics | M. Pindoria | 2012 | BBC | Shot Change Detection, Cut Detection | |
| The Real McCoy: What Audiovisual Collections Preserve | Richard Wright | 2011 | BBC | audiovisual, archive, preservation, provenance, authenticity | |
| Evolutionary Augmented Reality at the Natural History Museum | Paul Debenham | 2011 | BBC | Pose estimation | |
| Multi-view 4D reconstruction of human action for entertainment applications | Oliver Grau | 2011 | BBC | Computer Vision, Computer Graphics, Broadcasting | |
| Fast Volumetric Visual Hull Computation | Oliver Grau | | BBC | Computer Vision, Computer Graphics, Real-time signal processing | |
| 3D-TV R&D Activities in Europe | Oliver Grau | 2011 | BBC | none listed | |
| DVB-T2 Receiver Buffer Model (RBM): Theory & Practice | C.R. Nokes | 2012 | BBC | none listed | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| Sports TV Applications of Computer Vision | Graham Thomas | 2012 | BBC | Camera tracking, sports analysis, virtual graphics, augmented reality | |
| Upping the Auntie - A Broadcasterâs Take on Ambisonics | Chris Baume | 2012 | BBC | spatial, Soundfield, B-format, perceptual | |
| Measuring PLT Interference on the Mains | Aaron Chadha | 2012 | BBC | none listed | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| Musical Moods: A Mass Participation Experiment for the Affective Classification of Music | Sam Davies | 2012 | BBC | Psychology, Multimedia Classification, Music Information Retrieval | |
| awaiting publication | | | BBC | | |
| Measurement of Human Sensitivity across the Vertical-Temporal Video Spectrum for Interlacing Filter Specification | K.C. Noland | 2012 | BBC | interlacing, standards conversion, aliaising, filter design, human visual, system | |
| A Pilot Study for Mood-based Classification of TV Programmes | Jana Eggink | 2012 | BBC | Multimedia classification, mood classification, machine learning | |
| Large Scale Experiment for Mood-based Classification of TV Programmes | Jana Eggink | 2012 | BBC | Multimedia classification, mood, genre, signal processing, machine learning, human labelling | |
| Archive Preservation File Format: DigiBeta System | Philip de Nier | 2012 | BBC | Ingex, LTO, Infax | |
| Enhancing Viewer Engagement Using Biomechanical Analysis of Sport | Robert Dawes | 2012 | BBC | sport, analysis, biomechanics, Flash, augmented reality, image processing, computer vision | |
| Web delivery of free-viewpoint video of sport events | Chris Budd | 2012 | BBC | 3D Capture of action, view-dependent texture mapping, Web-browser, Image-based Rendering | |
| RE@CT - Immersive production and delivery of interactive 3D content | Oliver Grau | 2012 | BBC | RE@CT, Immersive, production, delivery, interactive, 3D, content, c | |
| Getting the best out of high performance network storage on generic IT infrastructure | D. Butler | 2013 | BBC | NAS, SAS, BSAS, Near Kine, SATA, Network, msMeter | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| awaiting publication | | | BBC | | |
| Improving the Experience of Media in the Connected Home with a New Approach to Inter-Device Communication | S.J.E. Jolly | 2013 | BBC | companion, second, IBC | |
| An Experiment in Social TV for Automating Content Sharing via Social Networks | Vinoba Vinayagamoorthy | 2013 | BBC | dual screen, interface | |
